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Thursday, 26 November 2026
Album Cover Art
Rupert Dickens

'Album Cover Art' is a journey from the beginnings of album art in the 1940's, through the decades and music genres to the 2000's. 

The three lectures take a broadly chronological approach with a few detours to explore particular themes.

The first lecture entitled "Blue Note to Beatles" starts with early record sleeves in the jazz era, progressing through the 1950s with Elvis Presley and the 1960s with the iconic covers of the Rolling Stones and the Beatles, paying homage to Sergeant Pepper and Abbey Road. Rupert takes time to analyse the basic purpose of a record cover in terms of marketing, conveying information about the music and musicians, and adding a visual element to the listening experience.

The second lecture called "Hipgnosis and the Heyday of Album Art" moves into the 70s with the covers of Pink Floyd and Led Zeppelin produced by the legendary design collective, Hipgnosis. It takes in the album art of Roger Dean for the group Yes (among others) and explores punk and other strands of album design in the heyday of the form represented by such artists as David Bowie and Roxy Music. 

The third lecture, “The Vinyl Countdown”, begins with the waning of album art in the 80s resulting from the advent of MTV and CDs. It explores the contribution of specific well-known visual artists and photographers, including Andy Warhol, Richard Hamilton, Salvador Dali and Rene Magritte. It looks at musical artists who came from the background of visual art, such as Joni Mitchell, noting the large number of pop musicians who shared an art school background. We will compare pop music covers with those of jazz and classical music and conclude with the current revival of album art arising from the renewed popularity of vinyl records.


Thursday, 04 March 2027
The Cultural History of Textiles
Carey Fleiner

This special interest day is comprised of three lectures covering The Cultural History of Textiles.  The three lectures cover spinning, weaving and knitting.

The talks are:

1. ‘She spun well:’ Roman Women, Sheep, and Wool in the Classical world

This talk is a discussion of the symbolism of spinning and wool in the Classical world, with an emphasis on Roman women and the household. We’ll consider where spinning and wool fit into popular myths and how this reflects the importance of sheep, wool, and spinning in the general economy. The main part of the discussion looks at spinning as women’s work, and the significance of spinning and household economy – not only the practicalities of the task, but also the symbolism of spinning (and weaving) as representative of domestic harmony.

 

2. Myths, fairytales, and sagas: Spinning & Weaving in the Ancient and Medieval World

By the time of the Greeks and Romans or the Norse or medieval people of Europe people had been spinning and weaving for so long, the origins of the practices were long forgot. There were no instructions or handbooks. You learned by doing, from childhood – it is not something generally written about in the formal histories of these periods because these histories were written by aristocratic men for aristocractic men, usually on statehood and politics, and how to be a good political leader or a military hero. Textile work, for the most part, was women’s work, slave work – an absolute necessity, and something that drove the economy, politics, laws – but not something necessarily written about as part of history. Its written sources and records come from stories, songs, poetry – if not economic records and the skant remains in the archaeological record – textiles generally do not survive in the long term except in exceptional circumstances, as plant matter and animal skin and fur and fleece is organic, and subject to fire, vermin, decay.

This talk considers stories and tales about spinning and weaving from Classical myth, Norse saga, and medieval (European) fairytales – and what meaning might be found folded into these stories, how they were used, and what they tell us about society  in general. 

In addition to the usual Q & A, there may be a demonstration of the tools similar to what would have been used for spinning and weaving in the Roman and medieval period.

Keywords: myths, mythology, fairytales, folklore, spinning, weaving, wool, flax, women, Greek history, Roman history, Middle Ages

3. In the Loop: a Cultural History of Knitting 

This talk considers fabric making with yarn 'with loops' - that is a look at Nalbinding and Knitting. We start with Nalbinding, which predates written history, and discuss the various stitches and small object found and made from this type of textile work from the Neolithic through to the 20th century, and its cousin knitting. Knitting comes along later from the Middle East to Europe in the 12th century, and we'll look at earliest examples and representation of knitting in the Middle Ages and Renaissance. The practical and social elements of these 'small works' will be folded into the discussion.

Click here for previous events

26 November 2026Album Cover Art
04 March 2027The Cultural History of Textiles

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Album Cover Art Rupert Dickens Thursday 26 November 2026

'Album Cover Art' is a journey from the beginnings of album art in the 1940's, through the decades and music genres to the 2000's. 

The three lectures take a broadly chronological approach with a few detours to explore particular themes.

The first lecture entitled "Blue Note to Beatles" starts with early record sleeves in the jazz era, progressing through the 1950s with Elvis Presley and the 1960s with the iconic covers of the Rolling Stones and the Beatles, paying homage to Sergeant Pepper and Abbey Road. Rupert takes time to analyse the basic purpose of a record cover in terms of marketing, conveying information about the music and musicians, and adding a visual element to the listening experience.

The second lecture called "Hipgnosis and the Heyday of Album Art" moves into the 70s with the covers of Pink Floyd and Led Zeppelin produced by the legendary design collective, Hipgnosis. It takes in the album art of Roger Dean for the group Yes (among others) and explores punk and other strands of album design in the heyday of the form represented by such artists as David Bowie and Roxy Music. 

The third lecture, “The Vinyl Countdown”, begins with the waning of album art in the 80s resulting from the advent of MTV and CDs. It explores the contribution of specific well-known visual artists and photographers, including Andy Warhol, Richard Hamilton, Salvador Dali and Rene Magritte. It looks at musical artists who came from the background of visual art, such as Joni Mitchell, noting the large number of pop musicians who shared an art school background. We will compare pop music covers with those of jazz and classical music and conclude with the current revival of album art arising from the renewed popularity of vinyl records.